The good news is that I have been very busy sewing over the last week. I did take the muslin to my daughter's dorm and it fit. Yippee! The princess seams needed a nip and tuck near the sleeves. My gusset hypothesis was incorrect -- the stranger shaped gusset resulted in a much nicer fit. Note that I did my best to crop out as much of the dorm room background as possible!
Left side just didn't hang right. Right side was fine with a tuck at the top of the princess seam. |
"Seriously? M-O-O-O-O-M, it fits!" |
The artificial light makes the taffeta look purple, but it's really black. |
At 9 PM yesterday, I finished sewing the skirt lining to the zipper and declared it ready to go. The crepe de chine bodice lining is not yet sewn in, and I would like to re-align the upper part of the zipper before I do that. I was also a bit leery of trimming all the sleeve seams before we had even a single fitting of the dress.
From my grandmother's sewing basket. |
My husband thinks I'm crazy for re-doing the zipper, but after all the work that went into this, I consider it a bit of a masterpiece, and I do want the finished product to be perfect. He thinks I'm quite mad, actually, after seeing me over the last week. I got a lecture on project planning and deadlines. Trust me, I know this pushed the limits of my capacity.
I really love the midriff details! |
I draped four separate pieces of lace over the bodice and lapped at the center front, shoulders and side seams. It took me several hours of trying different layouts before I had the nerve to cut into the lace. It really wasn't that hard to align it all nicely, just time consuming since it had to be tacked down by hand. I could have zig-zagged on the machine, but felt I had better control with hand-stitching.
The sleeves are underlined with black silk organza -- no crepe de chine -- so they're slightly transparent. The lace was probably heavy enough to use without the organza, but I felt the visual transition from all black on the bodice, to mostly transparent on the sleeve was too stark. The gussets are crepe de chine with lace, no organza, as I didn't want them too stiff.
More details and final pictures later!
The sleeves are underlined with black silk organza -- no crepe de chine -- so they're slightly transparent. The lace was probably heavy enough to use without the organza, but I felt the visual transition from all black on the bodice, to mostly transparent on the sleeve was too stark. The gussets are crepe de chine with lace, no organza, as I didn't want them too stiff.
More details and final pictures later!
Wow, it's gorgeous! Great job! I salute you for soldiering on through tornado drills and husband lectures.
ReplyDeleteThank you! I am relieved that it worked out and I (mostly) finished by the deadline.
DeleteI second that "Wow!" You and your daughter must both be thrilled. I love your choice of colors/fabrics. I really admire all the work (and perseverance) that went into creating this beauty.
ReplyDeleteThank you, Nadine! I was thrilled. It looks great on her, and I think she likes it almost as much as I do.
DeleteThis is absolutely GORGEOUS! Your daughter is very lucky to have such a beautiful couture dress made for her. Definitely worth redoing the zipper to make it perfect.
ReplyDelete